![i like.the new hellboy movie why so many crtbabys i like.the new hellboy movie why so many crtbabys](https://icdn.digitaltrends.com/image/digitaltrends/ian-mcshane-deadwood-1500x1000.jpg)
The film’s plot, involving Arthurian legend and an evil Lady of the Lake portrayed by Milla Jovovich, seems grounded in familiar terms so as not to alienate audiences. Hellboy‘s trailer feels apprehensive to sell audiences on new ideas, or a Hellboy different from the movies they’ve already seen. This Hellboy looks like a film that will entertain us, while missing a key component of what the comics did so well and so surprisingly: scare us. Alice Monaghan (Sasha Lance) and Ben Daimio (Daniel Dae Kim) - but everything here seems very familiar and not at all carved out of the gothic horror and German Expressionism of Mignola’s comics. We get hints of R-rated bloodshed, some glimpses of characters and concepts from the comics like Baba Yaga, the Osiris Club, and new members of the B.P.R.D. But the tone of the trailer suggests a film that’s not so different from those of del Toro. That’s not to say Hellboy is a cash-grab - there’s certainly plenty of creative reasons why a reboot seems like a good idea. It’s not a bad trailer by any means, and Hellboy certainly looks like a lot of monster-mashing fun, though we should question any marketing strategy that chooses Billy Idols’ “Mony Mony” and expects dubious viewers not to think of money and thus cash-grab. Perhaps it’s the narrative that this Hellboy would be delivering something different, a narrative created by the filmmakers themselves, that makes the trailer such a strange animal. The narrative was set, and the first photo released of Harbour in costume quelled many fears. The news of a Hellboy reboot in May 2017 proved to be divisive, with some fans clamoring for a film closer to the comics while others lamenting the waste of opportunity in not following through with del Toro’s series.īut the promise of a film that adapted the comics was too great an opportunity to not have at least some interest in, and Neil Marshall, who had carved out territory making wonderfully imaginative midbudget genre films like Dogs Soldiers (2002), Doomsday (2008) and Centurion (2010), along with the best horror movie of the 2000s, The Descent (2005), seemed like the perfect filmmaker to be given the opportunity to play in this larger world. But that didn’t mean that Hellboy had to die. It’s difficult not to be disappointed with the fact that del Toro, one of cinema’s most creative minds, was unable to finish his trilogy. For years, del Toro and Perlman discussed a sequel, one that Hellboy II had so promisingly set up, but money and timing never quite met in the end, and in 2017 del Toro announced on Twitter that 100 percent Hellboy III would not happen. Despite being released, and one week ahead of the record-shattering The Dark Knight, Hellboy II made $160 million worldwide on an $85 million budget.
![i like.the new hellboy movie why so many crtbabys i like.the new hellboy movie why so many crtbabys](https://www.dreadcentral.com/wp-content/uploads/2015/07/hellboy-750x422.jpg)
![i like.the new hellboy movie why so many crtbabys i like.the new hellboy movie why so many crtbabys](https://cdn.shopify.com/s/files/1/0248/8821/3585/articles/crybaby_cover_horoziontal_copy_1000x.png)
![i like.the new hellboy movie why so many crtbabys i like.the new hellboy movie why so many crtbabys](https://pyxis.nymag.com/v1/imgs/9e2/610/756bdcf48a78e708459e211ff1665ffdd5-netflix-anime.2x.rsquare.w536.jpg)
In Hellboy II del Toro offered even more of himself, creating an original story that played more so on dark fairy tales than the Lovecraftian horror of the first. In today’s cinematic marketplace, those numbers would rarely call for a sequel but a sequel Hellboy received, one bigger and better than the first. While the first film received strong reviews, it made just under $100 million worldwide on a $66 million budget. The Dark Horse comic book character, Hellboy, found his cinematic mojo, alongside modest box office success, under the loving hands of del Toro and Ron Perlman in Hellboy (2004) and Hellboy II: The Golden Army. While other franchises have languished far longer without a follow-up, it feels like it’s time for Big Red to return. It’s hard to believe that it’s been 10 years since we last saw Hellboy onscreen.